Mary Poppins Returns
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All Critics (26)
| Top Critics (1)
| Fresh (25)
| Rotten (1)
Creevy's fine ear for dialogue, sensitive and productive direction of actors and confident control of tone is all the more impressive for being delivered under the short schedule and tight budgetary exigencies.
Shifty is low-key, low budget, but high grade. It's a film about sitting and talking. And drug dealing. It builds slowly - some may want more action, but it has a surprisingly satisfying conclusion.
The dialogue is a nice mix of Pinteresque menace, drug lingo, laddism and cracking one-liners.
The film has a sense of authenticity and there's no sentimental suggestion that Shifty's way of life is the inevitable result of his background.
Moving, gripping and funny, this is a homegrown gem you can't help taking to your heart.
For a debut feature, Eran Creevy's semi-autobiographical drama shows a remarkably light touch, set in an anonymous London suburbia far removed from stereotypical East End of the wideboy film tradition.
Mercifully free of Danny Dyer cameos or Guy Ritchie mockneyisms, this works as both an entertaining gangster thriller and a hard-hitting piece of social realism. Absorbing, moving and authentic, Shifty never once strikes a false note.
Creevy eschews the woozy, arthouse ambience of Duane Hopkins' Better Things - another portrait of a drug-decimated community - for naturalistic dialogue and performances within carefully framed and composed shots; properly cinematic, grown-up direction.
Good central performances in this highly, entertaining character-driven debut.
The production values are lo-fi but spirited performances, matey humour and an edgy authenticity carry the story.
First-time director Eran Creevy kicks things up a notch with this shrewd and engaging drama, achieved on the smallest of budgets.
Written and directed by first-timer Eran Creevy, this quiet piece is mostly convincing in its mundane details, and doesn't feel the need to ramp up its plot too precipitately into guns and threats and spiralling vendetta.
A well written, day in the life of, which is different to other drug films. It involves you from the start and there's a lot of guessing going on right until the end. Highly recommended to fans of British film.
Firstly, the film looks fantastic for the budget it was made on. But innovative and quality film production does not make a great film in itself. Shifty has some fascinating aspects but it in the end is another average London drug street film. However Riz Ahmed's performance is top; he is charismatic and likeable even though his character is a bit of a selfish so and so. This performance and its macro budget ingenuity just edges it past being bog standard average
Not so much a story in a traditional sense, more of a ?day in the life of? type of tale and in this case it?s through a drug dealer?s eyes. Whilst this is true in terms of storyline build up, perhaps the true meaning of the film is about relationships of all kind, family, friendships, the loyalties that come from them, right to the non-stereotypical drug users and their relationship with drugs.
Well acted, very realistic, but as a result suffers a slightly slow paced urban thriller. Regardless, it?s a worthy British Drama and well made for what appears to be a very low budget film. A particularly good performance from Riz Ahmed.
Effective calling card for a new talent in director Creevy, his personal experiences lend authenticity to the script, and a smart sense of humour stops this descending into grim geezerdom.
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